![]() It had been used for some time to describe the effect of paintings from the Barbizon School. While the title of the painting seemed to be chosen in haste for the catalogue, the term "Impressionism" was not new. Monet claimed that he titled the painting Impression, Sunrise due to his hazy painting style in his depiction of the subject: "They asked me for a title for the catalogue, it couldn't really be taken for a view of Le Havre, and I said: 'Put Impression.'" In addition to this explanation for the title of the work, art historian Paul Smith claims that Monet might have named the painting Impression to excuse his painting from accusations of being unfinished or lacking descriptive detail, but Monet received these criticisms regardless of the title. Impression and Impressionism Catalogue for the 1874 Impressionist Exhibition It was recovered and returned to the museum in 1990, and put back on display in 1991. In 1985 the painting was stolen from the Musée Marmottan Monet by Philippe Jamin and Youssef Khimoun. Inc." Among thirty participants, the exhibition was led by Monet, Edgar Degas, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley, and showed over two hundred works that were seen by about 4,000 people, including some rather unsympathetic critics. Impression, Sunrise became the most famous in the series after being debuted in April 1874 in Paris at an exhibition by the group "Painters, Sculptors, Engravers etc. The six painted canvases depict the port "during dawn, day, dusk, and dark and from varying viewpoints, some from the water itself and others from a hotel room looking down over the port". Monet visited his hometown of Le Havre in the Northwest of France in 1872 and proceeded to create a series of works depicting the port. History The home of photographer Nadar, where the 1874 exhibition took place Modern view of the port of Le Havre It is now displayed at the Musée Marmottan Monet in Paris. ![]() Impression, Sunrise depicts the port of Le Havre, Monet's hometown.
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